忧郁 I
Melencolia I
Installatiob series
2022
Exhibition View of Melencolia I
Egger bigger
Metal, prints, plastic paper
31*30cm
2022
Metal, prints, plastic paper
31*30cm
2022
Princess Scale
Aluminium, iron, steel, waxed wire, stone
Variable size
2022
Aluminium, iron, steel, waxed wire, stone
Variable size
2022
Sudoku
Stone, wood
2022
Stone, wood
2022
Ice Blade Escape
Steel
60*2cm
2022
Steel
60*2cm
2022
White Night 35
Steel, cotton thread, wax, lime powder, paper, mineral pigments, iron absorbers
20.5*27cm
2022
Steel, cotton thread, wax, lime powder, paper, mineral pigments, iron absorbers
20.5*27cm
2022
Reading 'Star ethics'
Wood, metal, fishing line, motor, wheel bone cover
Power Installation, Variable size
2022
Wood, metal, fishing line, motor, wheel bone cover
Power Installation, Variable size
2022
Egger biggest
Metal, prints, plastic paper
38*25cm
2022
Metal, prints, plastic paper
38*25cm
2022
White Night 34
Steel, cotton thread, wax, lime powder, paper, mineral pigments, iron absorbers, magnet
135*125cm
2022
Steel, cotton thread, wax, lime powder, paper, mineral pigments, iron absorbers, magnet
135*125cm
2022
Again, this vague guidance drives this work. The direction of movement is determined by chance, the content of thought by complex emotions, the core of which comes from a rich experience of experience and an intention to constantly reconfigure the relationship with the material world. The discovered objects are divorced from their fixed shapes and mysterious historical features. But in this deliberate movement of 'renaming', they attempt to detach themselves from their original meaning and regain ownership. Or it could be described as: some mysterious signs, unknown letters, foreign words. The metaphorical dimension of melancholy: they do not only point to themselves, they also suggest a lack (love object lost) and, more importantly, make something else visible in this gesture - a gesture that gradually becomes clear in Dürer's masterpiece "Melancholy III ".